music
- First Song: ” ‘Round Midnight”, Miles Davis, Best of Miles Davis
- Last Song: “Zoo Station”, U2, Achtung Baby
- Shortest Song: “One Last ‘Woo-Hoo!’ for the Pullman”, 0:06, Sufjan Stevens, Illinois
- Longest Song: “Hansel And Gretel And Ted And Alice/An opera in one unnatural act”, 24:40, P.D.Q. Bach, The Intimate P.D.Q. Bach
- First Song: “Concerto in D-Minor for Two Violins: 1 - Vivace”, Itzhak Perlman & Isaac Stern, “Double” Concerto for Two Violins
- Last Song: “Happiness”, 1999 Broadway Revival Recording, You’re a Good Man, Charlie Brown
- “The Far Country”, 20 plays, Andrew Peterson, The Far Country
- “The Havens Grey”, 18 plays, ibid. T3. “Canaan Bound”, 17 plays, Andrew Peterson, Love and Thunder T3. “Don’t Think Twice, It’s Alright”, 17 plays, Bob Dylan, The Essential Bob Dylan T3. “Say”, 17 plays, Sleeping At Last, Ghosts
- “Lay Me Down”, 16 plays, Andrew Peterson, The Far Country
- “The Queen of Iowa”, 14 plays, ibid. T8. “Fields Of Gold”, 13 plays, Eva Cassidy, Live at Blues Alley T8. “I Get a Kick out of You”, 13 plays, Jamie Cullum, Twentysomething. T8. “Lonely People”, 13 plays, Jars Of Clay, Who We Are Instead.
- He’s tall. Almost as tall as me. That sounds like a funny observation, but compared to the other guys on the tour, who are mostly all short, Andy seems like a giant.
- He’s a heck of a guitar player.
- He’s really funny.
- He’s a heck of a songwriter, too.
coffeehouse time
Tomorrow night I’m providing two hours of musical entertainment at my favorite coffeeshop. I’ll admit to being a little bit nervous, but I imagine it’ll turn out OK. I’m planning on doing about half instrumental stuff and half vocal stuff.
If any of you are in the Cedar Rapids area and want to come, here’s the details:
Brewed Awakenings Coffeehouse 1271 1st Ave SE, Cedar Rapids Friday February 10 8:00 - 10:00 PM
Should be a good time!
10 mistakes conservatives make in art and entertainment
Erik Lokkesmoe has a good article on Townhall.com where he lists 10 mistakes conservatives make in art and entertainment. It’s worthwhile reading and thinking it over. Some excerpts:
Mistake #1: We try to improve art and entertainment from the top-down and the outside-in. For example, when well-meaning people, flush with cash but bankrupt on talent, attempt to “show Hollywood” by creating films that go around proven creative methods, the result is always the same: direct to video, a waste of time and money. Enduring change, meanwhile, comes from the bottom-up (working your way up from the mailroom) and the inside-out (working within the creative industries).
Mistake #2: We don’t quite understand common grace – the idea that the good, the true, and the beautiful can be found in the most “unlikely” of places (Broadway) and people (liberal artists). Without a strong belief in common grace, we will either get angry at the culture or withdraw from it entirely.
Mistake #7: We use the arts to save souls and sway elections. True artists enter their work with a sense of mystery, wonderment, always uncertain what may finally appear on the canvas or film or pages. Children’s author Madeleine L’Engle speaks of her surprise when a certain character appeared unexpectedly in the plot of the novel she was writing. She says, “I cannot imagine the book without [the character], and I know that it is a much better book because of him. But where he came from I cannot say. He was a sheer gift of grace.” A sermon can be artful, and Lord knows campaign ads could use some imagination. Mixing art and agenda, however, is propaganda, whether it comes from the left or the right. If you want to send a message, Samuel Goldwyn rightly said, call Western Union.
Mistake #10: We like safe art. Soggy may be a better term. Easy to digest. Nothing that causes heartburn. Do we really want art that never challenges our convictions, wrestles with our beliefs, or questions our faith? Let’s not forget: beauty is hardly safe, truth is never tame, goodness is anything but trite. Author Franky Schaeffer said it best : “The arts ask hard questions. Art incinerates polyester/velvet dreams of inner healing and cheap grace. Art hurts, slaps, and defines. Art is interested in truth: in bad words spoken by bad people, in good words spoken by good people, in sin and goodness, in life, sex, birth, color, texture, death, love, hate, nature, man, religion, music, God, fire, water, and air. Art tears down, builds up, and redefines. Art is uncomfortable” Finally, and most profoundly, he writes: “Good art (which, among other things, means truth-telling art) is good in itself, even when it is about bad things.”
You should really read the whole thing.
reasonable theological concern, or overly picky?
I was thinking through some songs that we haven’t sung for a while in church, and this issue came to mind, so I thought I’d share it here. One of my main criterion when selecting songs for the church to sing (and I plan the music for almost every week) is that they be theologically sound. This manages to disqualify a substantive number of modern praise songs, and a surprising number of older hymns from our hymnal. I might go so far as to say that this is my primary criterion. Certainly there are others; singability is right up there. But theological correctness has got to be at the top of the list.
So we come to today’s topic: the old chorus “Create In Me A Clean Heart”. The text is pretty much straight from Psalm 51:
Create in me a clean heart oh God,
And renew a right spirit within me.
Create in me a clean heart oh God,
And renew a right spirit within me.
Cast me not away from Thy presence oh Lord,
And take not Thy Holy Spirit from me.
Restore unto me the joy of Thy salvation,
And renew a right spirit within me.
My theological nit is with the fifth and sixth lines. When David penned these words some 1500 years before Christ, the threat of having the Holy Spirit taken from him was quite a real one; he had seen a similar thing happen to Saul when Saul rebelled against God. At that time the Holy Spirit didn’t indwell all those who believed in God, but God specifically directed the Spirit to rest on certain people at certain times. But now we’re after Pentecost, and so those that believe are indwelt by the Holy Spirit, and the Spirit remains as a seal of our salvation. We’re not in danger of having God take it away.
So on to my theological question. While I love the submissive attitude of the first part of this chorus, I have real questions about singing those two lines, because I think they represent a fear or concern that we shouldn’t have. Is this an appropriate distinction to make? Or am I being overly picky? Your thoughts are appreciated.
odds and ends January 2006
I’ve been a bit haphazard in my posting habits lately, so I’ll just dump a bunch of stuff in here in lieu of a real post. I’ve been reading lots of stuff lately, just not posting. I’ll have to make that change.
I’m headed to Wichita tomorrow for my DER orientation. It’s just a one-day session, so I’ll be on the late flight home tomorrow (back to CID at 10:04 PM). So beginning on Thursday, I will officially be a DER Candidate and can start reviewing stuff and recommending approval of TSO items. It’s a fairly significant new chapter in my career here.
Next topic: congratulations to my friends Lee & Amber Adams on the birth of their daughter Adi Grace early Sunday morning! Adi is their first, and I’m sure they will soon come to find just how wonderful daughters are. :-) Now we just need to take a trip down to see them sometime…
Next topic: Last night was the talent show at church. I did two songs, opening the show with Randall Goodgame’s Susan Coats' Pants and finishing up the show with Andy Gullahorn’s Holy Flakes. Becky noted afterwards that most people’s response to the former was “huh?” She said it’s mostly a “Chris song”, which I think means that my weird sense of humor appreciates it, but most (normal) people won’t. Oh well, that’s what talent shows are for. The most frequent question after the talent show was “where do you find these songs?” I take great pleasure in knowing that I can dig up songs that nobody’s heard of but that people really like. Of course, I really only get away with it because I’m the only one at the church that listens to all of the Square Peg types.
I guess that’s it for now. I promise I’ll try to write a sensible post soon.
the next album I'll have to buy
Andy Osenga notes today that Ben Shive is going to release his own album. No word yet on when this will happen (Andy intimates maybe sometime this year), but Ben’s website announcing that fact is funny enough to make it worth the read.
Don’t know who Ben Shive is? For shame! The man is a genius, I tell you. Genius.
iTunes meme
Geof did this, and it looked like fun.
Open iTunes to answer the following:
Total number of tracks: 4,336.
Sort by song title:
scary note: these are the same two songs (save for the artist on ‘Round Midnight) as Geof had…
Sort by time:
Sort by album:
Top 10 Most Played Songs:
First five songs that come up on Party Shuffle:
This doesn’t really work since Party Shuffle doesn’t pick up the stuff on my iPod, and I don’t have much of anything left stored in my library.
Search for: “sex”, how many songs come up?: zero. “love”, how many songs come up?: 336. “you”, how many songs come up?: 564. “death”, how many songs come up?: Six. “hate”, how many songs come up?: Two. “wish” how many songs come up?: Eleven.
worship team follow-up
So we did two services this morning after the great WT practice on Wednesday, and the services went really well, too. Nice to be back in the groove. I did an Andrew Peterson song for the offertory: Faith to be Strong. I think it was well-received.
worship team stuff
We had our first WT practice in about a month on Wednesday night. It was good to get back to it. I don’t know what was up on Wednesday, whether I turned the monitors up higher than usual, or what, but we sounded really good vocally. Harmonies were tight. Everybody sounded nice and even and balanced. What a nice sound. I’m looking forward to Sunday… hopefully we accomplish something similar then. Hate to leave your best stuff on the bullpen mound in warmups. But the glory goes to God either way.
One of the good things that’s come out of my sickness over Christmas and my efforts to weed out my schedule has been several people coming forward to help out with leading the worship team. For much of the six years I’ve led the team, it’s been hard to line someone up for just the occasional Sunday I had to be gone. (Just a few times a year!) But things are changing. One woman who has attended for a long while and has led worship other places in the past wanted to start participating. So we got her involved. Now the gal who volunteered at a moment’s notice when I was sick back in December has indicated she’d like to be available to fill in from time to time. And then earlier this week our bass player (a phenomenal all-around musician) said he’d really like to lead some services and he could do that playing either the bass or the piano. Praise God for his supply!
I distributed a WT schedule for the next two months that includes me having one Sunday off each month and another Sunday where we are more informal and don’t have a WT. (That was the pastor’s idea, not mine… but I don’t mind it.) We’ll see how it plays out, but I think this is the start of some easing off of my WT load… and that will be very nice.
back into the swing of things
Today I’m back at work after 11 days of holiday. I was just about ready to come back… I can only spend so much time away from routines before it starts to drive me crazy.
So I’m sitting at work today, but with some Christmas gifts to entertain me; right now I’m listening to (and quite enjoying) Jamie Cullum’s new album Catching Tales. It’s a nice mix of jazz and pop, very listenable. I also have listened through Switchfoot’s new album Nothing Is Sound, though it was a bit of a pain getting it onto my iPod with the copy protection Sony put in place on the CD. (Quick solution: rip the files with CDex, then import them into iTunes.)
Finally, the last bit of fun for now: Becky IM’d me from home a little while ago to let me know that my copy of Adobe Photoshop Elements 4.0/Premiere Elements 2.0 came from Amazon today. Oh, the fun I will have photo and video editing…
Ben Shive, Harmony, and the Blood of Jesus
All the recent posts about the AP Christmas concert at the Ryman last weekend reminded me of one little amusing thing that I had heretofore failed to relate. It happened during the AP Christmas concert in Cedar Rapids a few weeks ago, which I have written several posts about already.
As AP and crew were coming back from intermission to start the second half of the concert, Andrew came up to the microphone with his guitar and led the audience in a verse of the hymn Nothing But the Blood of Jesus. He used the guitar only long enough to get everyone started on key, then he stopped playing. Ben Shive, keyboard guru to the stars and really nice guy, was still playing keyboards as we sang.
When we hit the chorus of the hymn (“O precious is the flow…"), Ben went to play some funky chord instead of the standard I (one) chord. Now, I can understand that… the hymn is pretty boring, harmonically. I, IV, V, that’s about it. It’s definitely ready for some spicing up. The problem for Ben was, there were 700 people singing along, and singing in full standard harmony. When he hit that chord, Andrew looked back at him with raised eyebrows as if to say “well, that’s not gonna work…” and Ben responded with an amused look of his own, and switched back to standard harmonization.
I realize at this point that I may be the only one ever to read this who would’ve been amused by this situation. But it’s my blog, so I can write about whatever amuses me. :-) So, word to Ben: keep up the funky harmonies, man. I would’ve (and have, many times) done the same thing. Or, next time, you can just let everybody sing a capella. :-)
Andy Gullahorn
Geof Morris once referred to him as “Andy ‘It’s really sad that the only thing that the only song of mine that the .net knows is that silly Roast Beef song I did’ Gullahorn”. And up until Saturday, that was pretty much all I knew of him.
(In case you’re wondering, Roast Beef is a silly song Andy wrote about Andy Osenga’s missing (amputated) toe. It is pretty funny.)
Last Saturday I had the privilege of meeting Andy Gullahorn when he came as part of the Behold the Lamb Christmas tour to Cedar Rapids. My first impressions were these:
Then I got to hear him in concert, and I discovered two more things:
The first song he did was a little piece of satire entitled Holy Flakes. It had the place laughing through the first two verses, and then suddenly quiet when the third verse revealed the moral of the story. I was thrilled. I can’t think of the last time I’ve heard a song so funny and yet so pointed at the same time. The second song he sang was Freedom. It’s a more serious piece, but a masterful bit of songwriting.
When the concert was over, I beat a quick path to the CD table, and purchased both of Andy’s CDs. (My purchasing choices were made a bit easier by the fact that I owned nearly every other CD they had for sale that night.) I don’t think I’ve listened to anything else since Saturday night. The songs are spare, not a lot of fancy production or instrumentation, but the lyrical content is right on. A song like Beginning of the End resonates with me in ways I find hard to describe.
Last Saturday provided me with many wonderful opportunities. But near the top of that list was the chance to become familiar with Andy Gullahorn. You may now count me as a big fan. Oh, and if you get the chance, go visit his website. You will see the humor shining through. :-)
So much to say...
So Saturday night was the Behold the Lamb concert in Cedar Rapids. As you know if you read my previous post, I was the runner for the day. And what a day it was. There are so many aspects I want to write about that they’d make for one absurdly long and multi-faceted blog post. So, I’ll try to split it up a bit.
Let’s start with the basics. I showed up at Kennedy HS about 10:15 Saturday morning to help unload. Pretty much all the gear had been carried in from the bus, but the sound guys were just starting to unload. There were a bunch of people to help unload, though, so it went relatively quickly.
My first run of the day was pretty simple; I took the bus driver (I think his name is Perry?) and Chris Biggs (the sound guy/road manager for the tour) over to the hotel to get everybody checked in. Then the next trip to the hotel was Andy and Jill (Phillips) Gullahorn. Then there was a trip with Andy Peterson, Andy Osenga, Garrett Buell, and Cason Cooley. Then there was a trip with Derek and Sandra (McCracken) Webb. Ben Shive was in there somewhere, too. OK, so I’m name-dropping out the wazoo here. It was just a treat to get to meet all of them and chat a bit.
Later on in the afternoon, as the snow started falling (we got 4 inches of snow that afternoon… fun times driving), I got to drive and go along with Andy P, Andy G, and Jill as they visited the woman who was the inspiration for AP’s song The Queen of Iowa. It was a powerful time. I’ll write a separate post later.
I thought that perhaps by the time we got to the actual concert, it would be anti-climactic. Boy was I wrong. The first half of the concert was time for solo songs. They sang:
Andy O - If I Had Wings, Early in the Morning Andy P - The Queen of Iowa, Let There Be Light Andy G - Holy Flakes, Freedom Derek - A New Law, Lover Jill - I feel horrible about this, but I can’t remember which songs she sang. One of ‘em was “so new I haven’t learned the guitar part yet”, so Andy G played it for her. Sandra - Where I’m From, and I don’t remember the other one
During one of the car trips, Jill noted that one of the things she thought was so cool about this tour was hearing how even though they had many of the same musical influences, each of their songwriting styles is still distinct and plays out just a bit differently. That was quite clear at the concert, hearing these songs. I’ll write more about them later, too.
So let me wrap this post up. After the show was over, I helped load stuff up, picked up the bus driver from his day’s sleep at the hotel, and somewhere in there managed to get almost everybody to sign a concert poster which now hangs on my cube wall at work, right next to the Share the Well tour poster that I got signed at a concert last year. They will continue to bring back memories of great days and concerts.
ok, so I'm a little bit excited...
Tomorrow the Andrew Peterson Behold the Lamb Christmas tour is hitting Cedar Rapids! I couldn’t believe it when I first heard about it months ago, and I’m still a bit in awe of the fact that Andrew Peterson, Derek Webb, Sandra McCracken, Andrew Osenga, Jill Phillips, and some others will all be in concert on stage less than 3 miles from my house. (Only 1 block away from the previous place we lived!)
In addition to just going to the concert, I’ve volunteered to help out for the day. I’m showing up at 10 AM when the truck shows up, and then will be the “runner” for the day. This will include taking all the aforementioned musical types to their hotel, to the house where they’re eating dinner, etc. I think it’ll be pretty cool.
I’m also looking forward to just getting to meet some of them; I’ve met the Andys before (Peterson and Osenga), but haven’t met Derek or Sandra. I hope it’ll be as cool as I think it will be…. if not, at least I’ll get to see the concert, and that’ll be great in itself. I’ll try to post some pictures or something next week.
So I call you my country, and I'll be lonely for my home
And the coal trucks come a-runnin'
With their bellies full of coal
And their big wheels a-hummin'
Down this road that lies open like the soul of a woman
Who hid the spies who were lookin'
For the land of the milk and the honey
And this road she is a woman
She was made from a rib
Cut from the sides of these mountains
Oh these great sleeping Adams
Who are lonely even here in paradise
Lonely for somebody to kiss them
and I’ll sing my song, and I’ll sing my song
In the land of my sojourn
And the lady in the harbor
She still holds her torch out
To those huddled masses who are
Yearning for a freedom that still eludes them
The immigrant’s children see their brightest dreams shattered
Here on the New Jersey shoreline in the
Greed and the glitter of those high-tech casinos But some mendicants wander off into a cathedral
And they stoop in the silence
And there their prayers are still whispered
And I’ll sing their song, and I’ll sing their song
In the land of my sojourn
Nobody tells you when you get born here
How much you’ll come to love it
And how you’ll never belong here
So I call you my country
And I’ll be lonely for my home
And I wish that I could take you there with me
And down the brown brick spine of some dirty blind alley
All those drain pipes are drippin' out the last Sons Of Thunder
While off in the distance the smoke stacks
Were belching back this city’s best answer
And the countryside was pocked
With all of those mail pouch posters
Thrown up on the rotting sideboards of
These rundown stables like the one that Christ was born in
When the old world started dying
And the new world started coming on
And I’ll sing His song, and I’ll sing His song
In the land of my sojourn
“The Land of My Sojourn” Rich Mullins (c) 1993 - Edward Grant, Inc., 1993 - Kid Brothers of St. Frank Publishing
I was prompted by Kari’s piece the other day to revisit Rich Mullins' A Liturgy, A Legacy, and a Ragamuffin Band. I have long counted this as one of my favorite albums, but it tends to be one of my forgotten favorites; I don’t listen to it for a while, and then when I turn it on again, I wonder why I ever forgot about it.
I can’t pick a favorite song of of this album, but the song I quoted here is one of the best. Rich nails the feelings that I have about the land where I live with these lines:
Nobody tells you when you get born here How much you’ll come to love it And how you’ll never belong here So I call you my country And I’ll be lonely for my home And I wish that I could take you there with me
Not much else to say about it… but if you haven’t listened to this album for a while, get it back out. You won’t be disappointed.
The first time I've ever played a concert with somebody riding a cow in the background...
Last Saturday afternoon I got to see Andrew Peterson and Andy Osenga in concert at “Cornfest” in Clermont, IA. Clermont is a little bitty farm town, and this “Cornfest” thing was pretty much a start-up festival, I think… they had some small Christian music acts going for most of the afternoon, and then their headliner was the aforementined Andys. I’ll note here that it’s a good thing that they booked those guys - probably 70% of the folks that were there for the concert came specifically to hear Andy P.
I felt kinda bad for the Andys that the concert was not very well attended - maybe 150 people, max. They had a large flat-bed trailer for a stage and had to battle bugs all afternoon - asian beetles, bees, other nasty things. Some lady shared some bug spray with them after about the third song and I think that helped things out a bit. And yes, there was somebody riding atop a Holstein cow in the background. Only in Iowa.
Anyhow, it was just three of them - the two Andys and then Ben Shive on keyboards. They did a two-hour set, with lots of stories and bad jokes in between. There were also impromptu versions of the Rawhide theme and an old Spin Doctors song (can’t remember the name…) I’m not familiar with Andy P’s music yet (an omission which I am hurriedly correcting) so I can’t give a song-by-song breakdown. Suffice to say that he did a few songs off of his new album, took several requests, and filled in with other favorites.
The show was marred by a few technical difficulties; Andy was complaining all afternoon that his guitar sounded funny in the monitor (it sounded fine to the audience) and so in the course of several songs they replaced the guitar cable, the direct box, the mic cable that connected the direct box to the board, and then both the 9-volt batteries in his guitar pre-amp. (Andy O had to steal 9-volts out of two of his guitar pedals to make this last fix happen.) The time required for these fixes gave time for Andy O to sing one of his songs (High School Band, so I wasn’t complaining about the other issues. :-)
After the concert the three of them hung around and talked with folks until almost everyone had left. I was really wanting to meet Andy O (having missed him at the Caedmon’s concert last year), and was not disappointed - we talked for a while and had a good time. Ben and Andy P seemed like nice guys, too.
But the best was yet to come. There were a couple little kids who had a couple favorite Andy P songs that they wanted to hear and that he hadn’t done in concert. So, he grabbed his trusty Taylor and proceeded to take requests for another 45 minutes… just him singing and about 20 of us perched on the side of the hill listening. It was awesome. I kept thinking he was about ready to wrap up, but then he’d ask for any more requests, and somebody would ask for a song, and so he’d tell the story about the song, and then sing it… wow. After a while Ben and Andy O came and sacked out on the hill next to the rest of us, just enjoying the music and the beautiful afternoon.
So then towards the end of that “set”, Andy P sang a goofy little song he’d written for his daughter. I don’t know what it’s called, but the chorus has a line about her “one-two-three-four-five-six-seven-eight-nine-ten pretty little toes”. About halfway through the song Andy O got up and wandered off - I think he was going to pack some gear into his car. But it was too good not to comment on, so after the song was over I asked Andy P if he’d run Andy O off, made him feel inadequate by singing a song about somebody with ten toes. (For the reader unfamiliar with Andy O’s toe situation, see his blog here.) Andy P got a good chuckle out of that, then told the story about Andy O’s run-in with the lawnmower, and mentioned that it was the middle toe, “Roast Beef”, that was missing. So then I had to mention Andy Gullahorn’s song by that name, and so we tried to come up with the lines to that song… but between Andy P, Ben, and myself, we could only come up with the first few lines. It was still pretty funny.
Let me say here just last that I was also hugely blessed by my wife that afternoon; our daughter Laura was getting tired and antsy as only toddlers can. Becky was very gracious and willing to deal with her so that I could take advantage of the chance to enjoy the concert and meet the guys. Fortunately Laura fell asleep right before the acoustic mini-set, so she got to enjoy that time.
I could ramble on for quite a while, but I’ll spare you. Let’s just say I came away from last Saturday with a good sunburn, a heightened appreciation for my wife, and a real blessing from getting to meet one man who is my favorite artist right now, and another who is quickly climbing that list.
(Full-sized photos of the afternoon are available on my flickr page here.)
Serendipity
ser·en·dip·i·ty n. pl. ser·en·dip·i·ties
1. The faculty of making fortunate discoveries by accident. 2. The fact or occurrence of such discoveries. 3. An instance of making such a discovery.
Practical definition:
Discovering a good concert near your home just a week before said concert.
Specifically? I was browsing Andrew Peterson’s website this morning to get details on his Christmas tour.
OK, just a bit about the Christmas tour first. Andy P will be bringing his “Behold the Lamb” Christmas tour to Cedar Rapids, IA on Saturday, December 2. It apparently is being hosted by Youth for Christ as a fundraiser. Seeing as I know the local director of YFC, I’m going to have to see if they need any volunteer help for the day. :-) Bonus number 1 this morning was finding out that Derek Webb, his wife Sandra McCracken, and Jill Phillips will all be coming along on this tour. (I suppose the die-hards already knew this, but it was news to me.) So, a big woohoo! for Andy, Derek, and Sandra all in concert in my home town.
Now, the other serendipity: Andy P will be playing a concert in Clermont, IA (about a 2-hour drive from my home) on October 1st (a week from Saturday). It looks like it’s an outdoor concert, 3pm, at the “Cornfest” (and yes, I know, that sounds about as stereotypically Iowan as possible) at Heritage Farm Park in Clermont. Sounds like a nice way to spend a fall Saturday: a drive through the countryside, a good concert, who can ask for better? I’d been wishing to hear some of the stuff from The Far Country in concert… now my wish can be fulfilled.
Well, that’s my happy report for the day. Rejoice with me! :-)
fun with guitars
So yesterday I took my guitar in to see about getting the pickup fixed.
Let me back up. I have a Takamine Acoustic/Electric that my folks got for me back 12 or so years ago. It’s been a very serviceable guitar. About 2 years ago it developed a short in the end-pin jack, so I couldn’t get it amplified. Now, I hadn’t been playing it that much, so it didn’t matter too much. Finally, about 18 months ago I took it in to our local guitar shop, Stars Guitars, to have them replace the jack. They replaced it, but then found that they couldn’t get the pickup to work at all. So, they didn’t charge me for the jack, but didn’t solve my problem, either.
Fast forward to this week. I’m now playing guitar for church every-other week, and my in-hole single-coil passive pickup just isn’t cutting it. So, I figured I’d take it back in and have them take another look. About an hour after I left it there, I get a call on my cell phone. When can I come pick it up?
It ends up that whoever installed the end pin jack last time wired it backwards. Oops. Switch the wires and everything works fine.
So I’ll go pick it up tonight. Better late than never.
feel the beat of a distant thunder...
I have a confession to make. I had been avoiding purchasing Andrew Peterson’s latest album. I don’t know exactly why; I think I had listened to his previous album once and it didn’t really do anything for me. So, I ignored the rave reviews of the RMFO folks and passed it by. I mean, I purchase too many CDs anyway. It’s a really bad habit.
Yesterday, though, I was in the local Christian bookstore on a quest to purchase another item, and The Far Country was sitting there on the demo rack, taunting me. I fearlessly slipped on the headphones and took the challenge. About 30 seconds into the first track I was hooked. I listened to bits of the first three songs, had my opinion cemented enough to merit the sacrifice of $13.97, grabbed a copy, and headed to the cash register. I took it home and listened all the way through it twice (along with repeats of a couple songs an additional time or two), and have listened to it twice again today.
I don’t know how else to say it…. this is a phenomenal album. Andy P has captured the longing for that far-away place with songs like The Havens Grey, Lay Me Down, and, perhaps most notably, Little Boy Heart Alive. His songs are rich in imagery, with abundant references to the writings of C. S. Lewis and J.R.R. Tolkien. Musically, this album is also a gem. From the light rock of the title track, to the soft tones of The Queen of Iowa, to the acoustic wonder of Mystery of Mercy (a nice contrast to the Caedmon’s Call version of the same song), it just grabs you from beginning to end.
There were two times listening to The Far Country when I felt like I was listening to the late great Rich Mullins: the hammer dulcimer on Mystery of Mercy, and, well, the whole song Little Boy Heart Alive. I could write so much about that particular song… maybe I’ll make it a separate blog post. It is terrific.
Learn from my lesson. If you haven’t heard this album yet, go listen to it. It’ll grab you. In the end, you’ll thank me. Yes, it’s that good.
One final comment: there is this choice credit in the album liner: “Assistant Executive Producer: Andrew Osenga’s Right Middle Toe, Esq.” :-)
Worship Team changes...
We had our first worship team practice using individual microphones last night.
Currently, we just have one condenser mic on each side of the stage and 3 or 4 people gather around it. The sound quality is terrible. Thanks to Nate Hines who graciously loaned us 4 SM-58’s, we now can practice using individual mics. We’re going to split into two worship teams, each with 3 vocalists and some instrumentalists. The start date is Sept 11, so we’ve got some work to do pretty quickly. I think it’ll turn out OK, though.
Practice last night went about as well as it possibly could have; the singers really noticed how much better things were with handheld mics - better sound, you can hear everybody… good stuff. It was kinda funny - I told Janice “sing louder, we can’t hear you”… and her reply: “I thought if I can hear myself then I’m singing too loud…” Welcome to real sound with monitors! :-) It’ll take some ironing out, but in the end it will be a huge improvement over our current configuration.
not all that amusing: a review of Chris Rice's new CD
I pre-ordered Chris Rice’s new album, amusing, back a couple of months ago when it was advertised by eb+flo. This is Chris’s first album with his new record label, INO, so I was looking forward to hearing what the effort would sound like. The album doesn’t hit the stores until tomorrow (Tuesday August 23rd), but I received my copy in the mail last Friday. Having now had the chance to listen to it a couple times, I’ll hazard an opinion or two.
The Music Musically, Chris makes the most of being on a new record label that has, apparently, given him much more musical freedom. The styles are varied; from the Steven Curtis Chapman-esque bluesy-country-rock of Love Like Crazy, to the made-for-adult-contemporary-radio sound of When Did You Fall, to the quiet piano-driven tones of Sleepyhead Sun, he explores many sounds that will a suprise to those familiar with his discography. I could complain that it isn’t very cohesive in sound, but that’s the case with most of Chris’s albums, so I won’t suddenly hold it against him now.
The Content The subject matter of the songs is perhaps also typically varied; he includes a couple songs that deal with romantic love which lead me to wonder if he (the long-time bachelor) has a new relationship that is driving these thoughts. But the interviews I’ve read don’t mention a thing about it, nor do the liner notes. Bummer.
The Lyrics Here’s where I am more disappointed with amusing. It seems to be missing a song or two with the depth that his previous albums have included. Think back on Deep Enough to Dream (from the album Deep Enough to Dream), The Power of a Moment (from Past the Edges), Home Tonight (from Smell the Color 9), Untitled Hymn (Come to Jesus), or Wonder (both from Run the Earth, Watch the Sky). They are songs full of picturesque, thoughtful lyrics, laden with symbolism and imagery. They are the depth that keeps me coming back to those albums again and again. Sadly, amusing doesn’t seem to include much of anything in that vein.
What it does contain in great measure is the more overt, and, to my mind, less-insightful lyrics that eventually drove me away from the music of Steven Curtis Chapman. For instance, the chorus of Love Like Crazy:
Love like crazy We gotta love like crazy We gotta love like crazy The way he loves you and me ‘Cause if the world’s ever gonna change We gotta love like crazy
This may be insightful and motivating for the high-school camp crowd, but it leaves me wanting more. Or this one:
Life gave me lemonade and I can’t imagine why Born on a sunny day, beneath a tangerine sky I live life without pretending I’m a sucker for happy endings Thanks for the lemonade Thanks for the lemonade!
Sure, it’s OK…. but color me a bit disappointed.
This album will not really change my overall opinion of Chris Rice; he’s still one of my favorite songwriters, he’s still provided some of the most thoughtful and worshipful stuff that I’ve ever heard. I’m hoping that amusing is just one slightly low spot in the road that will quickly be forgotten when the next album comes around. It may, though, prompt me to skip the pre-ordering next time and wait to get a listen before making my purchase.