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Chris​Hubbs​.com

Avionics software fellow by day, tech and theology nerd by night.

movies

    ∞

    Worth a watch: Thelma

    Thanks to a couple online recommendations (for sure Jeffrey Overstreet, I don’t remember who else), Becky and I took the two younger kids along to see Thelma this afternoon.

    Grandma gets scammed, and decides to take matters into her own hands. It’s a delightful movie. Moves briskly, treats its characters respectfully, is both heartwarming and hilarious. June Squibb turned 93 while making this film, and she uses that age and experience to great effect here. Richard Roundtree co-stars and their chemistry is just perfect.

    Grab a loved one, go see Thelma, and prepare for a fun 100 minutes.

    ∞

    Mandatory post.

    ∞

    Carter Burwell: polymath film composer

    I was familiar with Carter Burwell’s name thanks to his score for the Coen brothers' film True Grit, but I wasn’t aware of the full scope of his film compositions or of his backstory. A brilliant man who just picked up and learned lots of things. Just out of college and trying to make it as a musician while working a lousy warehouse job:

    One day, Burwell saw a help-wanted ad in the Times for a computer programmer at Cold Spring Harbor Laboratory, a nonprofit research institution whose director, James D. Watson, had shared the Nobel Prize in 1962 for discovering the structure of DNA. Burwell wrote a jokey letter in which he said that, although he had none of the required skills, he would cost less to employ than someone with a Ph.D. would. Surprisingly, the letter got him the job, and he spent two years as the chief computer scientist on a protein-cataloguing project funded by a grant from the Muscular Dystrophy Association. “Watson let me live at the lab, and he would invite me to his house for breakfast with all these amazing people,” he said. When that job ended, Burwell worked on 3-D modelling and digital audio in the New York Institute of Technology’s Computer Graphics Lab, several of whose principal researchers had just left to start Pixar.

    The Polymath Film Composer Known as “the Third Coen Brother” by David Owen in The New Yorker

    His royalties from scoring Twilight funded a house on Long Island, where he lives and works from home, composing on a 1947 Steinway D that came from the Columbia Records studio in New York. “I still fret about having replaced the hammers, but they were worn almost to the wood—some say by Dave Brubeck.”

    Worth reading the whole profile.

    ∞

    Quick Thoughts after watching Top Gun: Maverick

    Mild spoilers ensue.

    • This is basically the most 1980’s war film you could make in the 2020s. All the sunsets and American flags.
    • Owes plenty to Star Wars. Flying the trench to hit a 3-meter target without the use of your targeting system? Enemy fighters wearing faceless black helmets as they piloted their superior craft? Mobbed by jubilant crew members as you exit the fighter after returning victorious? The only thing missing was a princess to hand out medals afterward.
    • There was a little Tom Cruise greeting to moviegoers that played before the movie. Cruise looked much older in that greeting than he did in the film. He’s aging sort of Robert Redford style.
    • Movie relies heavily on slow, lingering golden hour shots of Tom Cruise and/or Jennifer Connelly in a medium shot. I mean, they’re both pretty people, so it’s not all bad.
    • Pretty sure if you took all those lingering shots out the movie length would cut down from 2:10 to something like 1:30. OK, maybe 1:45.
    • In the initial shot where Cruise is shown a roster of pilots he will train, Manny Jacinto’s (Jason Mendoza from The Good Place) face is in the top-left corner. Jacinto is nowhere to be found in the rest of the movie, though. Poor guy got left on the editing floor I guess.
    • I hadn’t realized that Val Kilmer was so ill. His whole plot line was weak - he is introduced as COMPACFLT who brings Maverick in, then his cancer is back but “nobody knows”, even though he’s an invalid and can’t speak, and then he dies and is buried within the next week? Plenty of the movie beggars belief, but that thread was the worst.
    • On the whole it was lightweight fun - worth watching on the big screen, not worth watching a second time.
    ∞

    Knives Out

    Took the family to see Rian Johnson’s latest film, Knives Out, this afternoon. I know Johnson is a big-name filmmaker at this point - writing and directing an episode of the Star Wars franchise will do that for you. But I still feel like I knew him back when, thanks to the guys on the Filmspotting podcast championing his work from the very beginning. Having watched Brick, The Brothers Bloom, and Looper, I had a good feeling about The Last Jedi, and when Knives Out was announced, I was ready to buy tickets immediately.

    Knives Out is Johnson’s take on the whodunnit genre, a la Agatha Christie. That means to avoid spoilers I shouldn’t really say anything more about it. But I have a few non-spoilery thoughts.

    First: Rian Johnson is a master of taking genre movies bending the genre ever so slightly for a knowing audience. He did it with film noir in Brick, and with time travel movies in Looper. Suffice to say he does it again masterfully here in Knives Out.

    Second: That closing shot is the best I’ve seen in years. It’s just perfect.

    Finally: now knowing how it ends, I really want to go watch it again to see how much it telegraphed early on that I completely missed. Johnson is careful enough that I doubt there are many (any) loose ends.

    ∞

    Frozen II: A Very 2019 Movie

    It’s been just long enough since the original Frozen came out, and my girls have aged just enough, that we didn’t end up at the theater on opening night for Frozen II. But by Sunday afternoon we decided to brave the horde of preschoolers and their parents. The older two probably felt a little too old for it. The youngest, though, was first in line to get in the theater door, and was on the edge of her seat in excitement for the whole show.

    Frozen II is quite clearly a Disney mega-picture. More of what worked from the first one: comical Olaf the snowman; genial Kristof voicing his reindeer’s thoughts; the briefest cameo from Oaken who has exited the spa and is now giving manicures. The new songs weren’t as catchy as those from the original -  they felt much more like Broadway narrative than tidy pop songs. Frozen II isn’t the timeless classic that its predecessor was, but it is very much a movie for our time - a very 2019 movie.

    (Spoilers to follow…)

    Let’s start with the main plot of the movie. Elsa discovers that her grandfather brought modern technology (in this case, a river dam) to the indigenous northern peoples only to betray them. Two generations later, that technology is ruining the land and imprisoning the people who live there. Elsa and Anna determine the only solution is to tear down the dam, regardless of the potential cost to their city. Can you hear the echoes of our growing American recognition of the evils of Columbus and the slave trade?

    Then there’s dear, naive Olaf, singing about how he’s young now and the world doesn’t make sense, but that he’s so glad it’ll make more sense when he gets older. Yeah, Olaf, keep hoping.

    If the grim hopelessness of a confusing world gets too tough, don’t worry - there’s 4 minutes of humor and irony directly ahead. Kristof needs a song too, after all. What he gets is a send-up of every late 80’s power ballad music video ever, complete with the fade-ins and -outs, shadowy reindeer backup singers, and soulful guitar solos.  This scene is going to seem dated pretty quickly as the movie ages, but for now the irony is thick and aimed directly at the parents who will sit through this thing a million times once it comes to Disney+.

    Perhaps the most helpful and hopeful theme from Frozen II is another thought aimed right at the heart of 2019. Through the movie, both Anna and Elsa come upon situations that seem bigger than they can handle. They want to solve problems but the problems seem insurmountable. Whatever should they do? And then the old wisdom comes to them: “do the next right thing”. You may not be able to see the end yet. But look around for the right thing to do… and do it. Overly simplistic? Maybe. But maybe not terrible advice for citizens of 2019, either.

    I came home from Frozen II thankful that there’s no equivalent to “Let It Go” to become the soundtrack in our house for the next year. (And also realizing I should show my kids a Richard Marx video so they get the spoof.) At a cinema where the adjoining screens were showing a woke remake of Charlie’s Angels and a movie about Mr. Rogers, Frozen II fits right in as a product of, and a message for, an audience weary of 2019.

    ∞

    Family Movie Night: Chain Reaction (1996)

    With a kid under the weather after some dental work, it was a good night for a family movie. The library provided the convenient loan of a nostalgia pick for Becky and me: Chain Reaction, the 1996 film starring Keanu Reeves, Morgan Freeman, and Rachel Weisz.

    If you’d asked me before I looked it up, I would’ve guessed this came out when I was still in high school, since I remember watching it a handful of times back in what feels like that timeframe. But, since it came out in ‘96, I probably watched it for the first time at the dollar theater in Longview, TX while I was in college, probably with Becky along on a cheap date.

    My first thought when starting the movie was “wow, this reminds me in a lot of ways of The Fugitive”. All the Chicago scenery, a bunch of the same guys playing Chicago cops, familiar shots of midwestern woods and small waterways… then I looked it up on IMDB and quite belatedly realized that Andrew Davis directed both movies. No surprise then, that they look the same.

    The plot is about as spare as I remember it - Reeves’ team makes some scientific breakthrough to generate cheap electricity from hydrogen, and his lab is blown up before they can publicize. Morgan Freeman is the shifty leader of the foundation providing Reeves’ funding, who may or may not be bankrolled by the CIA. That’s about as much plot as you need, as the middle of the movie ends up being a series of chases across a drawbridge in downtown Chicago, a frozen lake (with a fan-powered airboat!) in Wisconsin, and through the Natural History museum in Washington DC.

    Chain Reaction is innocuous enough, drawing just enough charisma from Morgan Freeman and enough action through the Chicago landscape to keep the family at least mildly interested for 100 minutes. I was surprised at how much of it I remembered, having not watched it for more than a decade.

    Mostly, though, now it just makes me want to watch The Fugitive. Same Chicago chase scenes, but Tommy Lee Jones and Harrison Ford as the cat and mouse… if only they’d had a role for Morgan Freeman in it, they might’ve really had something.

    ∞

    Today's the day!

    Can confirm this morning only a light jacket was necessary.

    ∞

    I know nothing about this movie other than what’s in this trailer...

    But I would buy a ticket right this minute if I could.

    youtu.be/bs5ZOcU6B…

    ∞

    The Greatest Show pointing to the greatest story

    Whatever you want to say about The Greatest Showman, it’s not subtle. I know I’m late to the party discussing this movie musical. Hugh Jackman reminds us he can sing and dance while telling a story that in all likelihood bears little resemblance to the actual life of P.T. Barnum. What’s striking to me after watching it a couple times, though, is how the songwriters, performers, and director are expressing some very Christian themes.

    www.youtube.com/watch

    Barnum is unashamedly putting together his “circus” (a critic’s derogatory term that Barnum chooses to embrace) of oddities and “freaks”. There’s the very tall man, the very short man, the very fat man, the very tattooed man, the trapeze artists, and (most notably in the show) the bearded lady. They are living in the shadows, mocked for their differences by the people around them.

    I am not a stranger to the dark Hide away, they say ‘Cause we don’t want your broken parts I’ve learned to be ashamed of all my scars Run away, they say No one will love you as you are But I won’t let them break me down to dust I know that there’s a place for us For we are glorious

    What makes these people receptive to Barnum’s invitation to perform, though, is that he doesn’t see them as freaks or mistakes but as people who need to be seen and loved and appreciated for who they are.

    As a follower of Jesus I can affirm and need to be reminded of this attitude. Each person I encounter, even (especially?) if unseemly, is glorious, because they are a human who bears God’s image. They are deserving of love and embrace, not in spite of who they are but because of who they are.

    The movie goes on a fairly predictable story arc from there - Barnum’s ambition drives him to pursue greater and greater success. His desire for the approval of the wealthy and elite drives him to be ashamed of his family of misfits. He chases high culture and leaves his wife and children behind to tour the country with a prima donna. He has his moment of realization, heads back home to try to reconcile with his wife and circus family, loses everything in a fire, and is finally brought back from despair by his circus family who have been there all along.

    It’s all very on the nose. There are no real surprises. But it rings true, maybe not in a “that’s realistically how it could’ve happened” sense, but more in a “this is what the redemption arc should look like” sense.

    And the gospel themes are present even right there in the finale. As Hugh Jackman is belting out the message that he has learned his lesson and will not, in the future, be blinded by the bright lights of fame, the circus performers have their own hopeful chorus in response.

    And we will come back home And we will come back home Home again!

    And there is the cry of every heart, though it manifests in diverse ways: a cry for redemption and for restoration. A cry that we could be home, loved for who we are, embraced by a family.

    www.youtube.com/watch

    There’s no obvious sign that The Greatest Showman was intended to bring any sort of Christian message. But it highlights to me how direct and relevant the message of Jesus is, even for those who may not be looking for it: that God is love, that we are created gloriously in His image, that He is working in our brokenness for redemption, and that He calls us to follow Jesus and be a part of that restoration.

    This is the greatest story.

    ∞

    Popular Movies I've seen over the past 15 years

    Marco Arment recently posted about how few popular movies he’s seen, and proves it by listing out seen/not-seen:

    In an effort to accelerate that, here’s a list of the Academy Award Best Picture nominees and top 10 highest-grossing films for the last 15 years. My “I’ve seen it” ratio starts bad and only gets worse over time. Had I not seen most of the Pixar movies because I have a kid, it would be even worse.

    Because I’m a sucker for lists I figured I’d do my own evaluation. When I get done I can decide whether I feel bad for missing a lot of them or feel bad for how much time I spent on them.

    Key: Seen it, Haven’t seen it

    2000

    • Gladiator
    • Crouching Tiger, Hidden Dragon
    • Traffic
    • What Women Want
    • Meet the Parents
    • Chocolat
    • Erin Brockovich
    • Mission: Impossible II
    • Cast Away
    • Dinosaur
    • How the Grinch Stole Christmas
    • The Perfect Storm
    • X-Men
    • What Lies Beneath

    2001

    • A Beautiful Mind
    • Monsters, Inc.
    • Ocean’s Eleven
    • Gosford Park
    • In the Bedroom
    • The Lord of the Rings: The Fellowship of the Ring
    • Moulin Rouge
    • Harry Potter and the Philosopher’s Stone
    • Shrek
    • Pearl Harbor
    • The Mummy Returns
    • Jurassic Park III
    • Planet of the Apes
    • Hannibal

    2002

    • Spider-Man
    • Star Wars Episode II: Attack of the Clones
    • Men in Black II
    • Die Another Day
    • Minority Report
    • Chicago
    • Gangs of New York
    • The Hours
    • The Lord of the Rings: The Two Towers
    • The Pianist
    • Harry Potter and the Chamber of Secrets
    • Signs
    • Ice Age
    • My Big Fat Greek Wedding

    2003

    • Finding Nemo
    • The Matrix Reloaded
    • The Matrix Revolutions
    • The Lord of the Rings: The Return of the King
    • Lost in Translation
    • Master and Commander: The Far Side of the World
    • Mystic River
    • Seabiscuit
    • Pirates of the Caribbean: The Curse of the Black Pearl
    • Bruce Almighty
    • The Last Samurai
    • Terminator 3: Rise of the Machines
    • X2
    • Bad Boys II

    2004

    • The Incredibles
    • Ocean’s Twelve
    • Million Dollar Baby
    • The Aviator
    • Finding Neverland
    • Ray
    • Sideways
    • Shrek 2
    • Harry Potter and the Prisoner of Azkaban
    • Spider-Man 2
    • The Passion of the Christ
    • The Day After Tomorrow
    • Meet the Fockers
    • Troy
    • Shark Tale

    2005

    • Star Wars Episode III: Revenge of the Sith
    • Crash
    • Brokeback Mountain
    • Capote
    • Good Night, and Good Luck
    • Munich
    • Harry Potter and the Goblet of Fire
    • The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
    • War of the Worlds
    • King Kong
    • Madagascar
    • Mr. and Mrs. Smith
    • Charlie and the Chocolate Factory
    • Batman Begins
    • Hitch

    2006

    • Little Miss Sunshine
    • Casino Royale
    • Cars
    • The Departed
    • Babel
    • Letters from Iwo Jima
    • The Queen
    • Pirates of the Caribbean: Dead Man’s Chest
    • The Da Vinci Code
    • Ice Age: The Meltdown
    • Night at the Museum
    • X-Men: The Last Stand
    • Mission: Impossible III
    • Superman Returns
    • Happy Feet

    2007

    • No Country for Old Men
    • Juno
    • Ratatouille
    • I Am Legend
    • Atonement
    • Michael Clayton
    • There Will Be Blood
    • Pirates of the Caribbean: At World’s End
    • Harry Potter and the Order of the Phoenix
    • Spider-Man 3
    • Shrek the Third
    • Transformers
    • The Simpsons Movie
    • National Treasure: Book of Secrets
    • 300

    2008

    • The Dark Knight
    • Quantum of Solace
    • WALL-E
    • Slumdog Millionaire
    • The Curious Case of Benjamin Button
    • Frost/Nixon
    • Milk
    • The Reader
    • Indiana Jones and the Kingdom of the Crystal Skull
    • Kung Fu Panda
    • Hancock
    • Mamma Mia!
    • Madagascar: Escape 2 Africa
    • Iron Man
    • The Chronicles of Narnia: Prince Caspian

    2009

    • The Hurt Locker
    • Avatar
    • The Blind Side
    • District 9
    • An Education
    • Inglourious Basterds
    • Precious
    • A Serious Man
    • Up
    • Up in the Air
    • Harry Potter and the Half-Blood Prince
    • Ice Age: Dawn of the Dinosaurs
    • Transformers: Revenge of the Fallen
    • 2012
    • The Twilight Saga: New Moon
    • Sherlock Holmes
    • Angels & Demons
    • The Hangover

    2010

    • The Social Network
    • Toy Story 3
    • The Kings’ Speech
    • 127 Hours
    • Black Swan
    • The Fighter
    • Inception
    • The Kids Are All Right
    • True Grit
    • Winter’s Bone
    • Alice in Wonderland
    • Harry Potter and the Deathly Hallows Part 1
    • Shrek Forever After
    • The Twilight Saga: Eclipse
    • Iron Man 2
    • Tangled
    • Despicable Me
    • How to Train Your Dragon

    2011

    • The Artist
    • The Descendants
    • Extremely Loud and Incredibly Close
    • The Help
    • Hugo
    • Midnight in Paris
    • Moneyball
    • The Tree of Life
    • War Horse
    • Harry Potter and the Deathly Hallows Part 2
    • Transformers: Dark of the Moon
    • Pirates of the Caribbean: On Stranger Tides
    • The Twilight Saga: Breaking Dawn, Part 1
    • Mission: Impossible — Ghost Protocol
    • Kung Fu Panda 2
    • Fast Five
    • The Hangover Part II
    • The Smurfs
    • Cars 2

    2012

    • Skyfall
    • Argo
    • Amour
    • Beasts of the Southern Wild
    • Django Unchained
    • Les Misérables
    • Life of Pi
    • Lincoln
    • Silver Linings Playbook
    • Zero Dark Thirty
    • The Avengers
    • The Dark Knight Rises
    • The Hobbit: An Unexpected Journey
    • Ice Age: Continental Drift
    • The Twilight Saga: Breaking Dawn, Part 2
    • The Amazing Spider-Man
    • Madagascar 3: Europe’s Most Wanted
    • The Hunger Games
    • Men in Black 3

    2013

    • Monsters University
    • 12 Years a Slave
    • American Hustle
    • Captain Phillips
    • Dallas Buyers Club
    • Gravity
    • Her
    • Nebraska
    • Philomena
    • The Wolf of Wall Street
    • Frozen
    • Iron Man 3
    • Despicable Me 2
    • The Hobbit: The Desolation of Smaug
    • The Hunger Games: Catching Fire
    • Fast & Furious 6
    • Man of Steel
    • Thor: The Dark World

    2014

    • Birdman
    • American Sniper
    • Boyhood
    • The Grand Budapest Hotel
    • The Imitation Game
    • Selma
    • The Theory of Everything
    • Whiplash
    • Transformers: Age of Extinction
    • The Hobbit: The Battle of the Five Armies
    • Guardians of the Galaxy
    • Maleficent
    • The Hunger Games: Mockingjay, Part 1
    • X-Men: Days of Future Past
    • Captain America: The Winter Soldier
    • The Amazing Spider-Man 2
    • Dawn of the Planet of the Apes
    • Interstellar

    Yeah… I’m kinda feeling bad that I’ve watched so many.

    ∞

    The Spiritual Pep Rally

    Really good stuff on the Christian movie phenomenon, in the deliciously-titled “Do You Believe in Confirmation Bias?”

    I do remain concerned, however, that when such anecdotal evidence [e.g. of Atheist professors persecuting Christian students] is amplified and looped in and through the echo chamber, it has a detrimental effect on God’s people. It promotes a culture of fear and a culture of antagonism. It reinforces the belief that those outside our circle are our enemies, to be battled, rather than our mission field, to be loved and evangelized.

    To the extent it overstates our persecution, it pushes us to prioritize standing our ground and protecting our rights over being salt and light. To the extent it fixates on archetypal stories of our victimization, it makes us quick to assume evil intent when we face conflicts and slow to acknowledge our own roles in perpetuating them.

    Perhaps—perhaps—it tempts us with the lie that those times and places where we have been wronged justify ignoring our teachers’ admonitions to treat those who question our beliefs with gentleness and respect.

    Maybe the more pertinent question to ask in the face of Christian movies like God’s Not Dead and Do You Believe? is not whether they are accurate representations of the world we live in, but whether the way they respond—and invite us to respond—to that broken world will help us to remake it into something healthier, holier, and more reflective of kingdom principles.

    [Christianity Today]

    ∞

    A famous scene minus the dialogue

    OK, I’m just shamelessly reposting something Jason Kottke dug up, but it’s fascinating - somebody took the courtroom scene from A Few Good Men and edited all the dialogue out. It holds up really well; a sign, I would imagine, of the quality of the filmmaking.

    ∞

    Winnie the Dude

    On the topic of my previous post, I had this Twitter interaction with Stephen Granade:

    twitter.com/cjhubbs/s…

    twitter.com/cjhubbs/s…

    But then I started wondering… what about Lebowski?

    So then I had to do it - casting The Big Lebowski using Winnie the Pooh characters.

    The Dude

    This one is pretty obvious. Winnie the Pooh himself gets to play The Dude. His laid-back personality is nicely analogous to Jeff Bridges' beloved stoner.

    Walter Sobchak

    Based on my Twitter assertion, I’m gonna commit to it. Tigger is the only Hundred-Acre Wood inhabitant with a personality big enough to play a John Goodman character. Think of it as the grittier side of Tigger. You know he’s not always been such a jovial tiger.

    Donny

    Who’s gonna be the weasely, nervous sidekick to Tigger’s Walter? I think it’s gotta be Piglet.

    The Big Lebowski

    A large, pompous man with a big attitude? Owl gets to play this role, no question about it. And then to serve his needs:

    Brandt

    This nervous young assistant (played brilliantly by Philip Seymour Hoffman in Lebowski) goes to Rabbit. You can just see him puttering around straightening all of Lebowski’s photos and trophies outside his office.

    Minor Characters

    • With Kanga being the token female in the Hundred-Acre Wood, we’ll give her the role of Maude Lebowski.
    • Christopher Robin would have to paste on a mustache and work on his Texas accent, but we’ll give him the role of The Stranger.
    • And where’s Eeyore in this whole thing? Based on his general outlook on life, I think he’s one of the Nihilists. However, as my friend Andy said:

    https://twitter.com/The_Pulpiteer/status/530449494027296769

    ∞

    Fun for Friday: Star Wars without the Music

    How awkward would the final scene of Star Wars Episode IV be without John Williams' awesome score?

    Pretty awkward, as it turns out.

    ∞

    Spike Jonze' 'Her'

    Tonight I went to the theater and saw *Her*, the recent movie from Spike Jonze. For those who might not be familiar with the film, here’s the trailer:

    youtu.be/dJTU48_yg…

    What an amazing film. So much to think about afterwards. How does our relationship with technology affect our relationships with people? Where do we find relational fulfillment? What is “real” in a relationship, anyway? Would a relationship that’s exclusively about my happiness really make me happy in the long run?

    Joaquin Phoenix gives a fantastic lead performance; Amy Adams is great as his friend, and Scarlett Johanssen plays a prominent role with her voice even though you never see her on screen. It’s a beautiful film to look at, too - the use of colors, lights, and cityscapes is just lovely.

    I came back to my hotel room tonight and turned on Lost in Translation, a 10-year-old movie also featuring Scarlett Johannsen and one that also leaves me with a raw inner yearning for relationship. The movies make a great pair.

    My buddy Dan informed me tonight that the films are connected another way - Sofia Coppola, who wrote/directed Lost in Translation was married for a few years to Jonze, who wrote/directed Her. Maybe they’re both processing their breakup in similar ways?

    I find myself thankful tonight for films that make me think, and even more, perhaps, for films that make me feel; not just the adrenaline rush of an action thriller or the sadness of a weepy drama, but the complicated ache of friendship, yearning, and love.

    ∞

    A little inspired art

    We were looking for a family movie tonight and Netflix recommended The Secret of Kells. I had only a vague familiarity with the movie, but the reviews and info looked good, so we gave it a go. It turned out to be a beautiful little movie, in a unique 2-d animated style, relating a story around the Book of Kells, an illuminated copy of the four Gospels created by Celtic monks in the 7th century. Neat movie.

    That took us to the Book of Kells iPad application, which I had gotten months ago when it was a freebie but had never really looked at. The girls were suddenly intent to look at the pictures, try to understand the text (whoops! it’s Latin!) and KP (age 4) even pulled out a Bible then to find the book of John after she found out it was part of the Book.

    [caption width=“460” align=“aligncenter”] An Illustration from the Book of Kells, courtesy of Wikipedia[/caption]

    But the fun doesn’t end there. Shortly thereafter, using their Christmas notebooks and glitter pens, they started on their own Kells-inspired artwork. (Click on each to see it full-size.)

    From KP:

    From AG, age 7:

    From Laura, age 9:

    Across the centuries, art inspires art. I can’t wait to see what they come up with next.

    ∞

    A Rich Mullins... movie?

    Matthew Johnson alerted me yesterday to the trailer that’s out for a movie about Rich Mullins. Before I comment, here’s the trailer:

    www.youtube.com/watch

    Honestly, my first thought was that it’s been more than 15 years since Rich died in a car accident, and I’m still not really ready to see a movie. All the trailer’s foreshadowing with him driving in the Jeep is enough to bring tears to my eyes.

    I never met Rich Mullins or even saw him play a concert, and yet he remains my most significant musical influence. I listened to his records (well, cassette tapes and CDs) over and over and over through high school and college. I sang his songs. I learned his piano riffs. After he died I organized a little band to do a 4-song memorial tribute to him in our college chapel service. I guarantee you if you sat me down at a piano I could play and sing at least three dozen of his songs from memory.

    Here’s my other hang-up with the movie: I know Rich almost exclusively from his songs. Do I really want to deal with some other writer’s dramatization, and some actor’s impression, of his life? Maybe not.

    Instead, I kicked up iTunes and started on a bender playing through Rich’s classic albums The World As Best As I Can Remember It, Vol. 1 and 2, Never Picture Perfect, and A Liturgy, A Legacy, and A Ragamuffin Band. You guys can let me know how the movie turns out, but those records may be all of the Rich I ever really need to know.

    ∞

    Top Ten Movies

    Well, I haven’t done a meme in a while, and Jeff tagged me for this one, so I’ll give it a go.

    The rules of the “game” are simple: 1. list your top ten favorite films (in no particular order). 2. if you’re tagged, you’ve got to post and tag 3-5 other people. 3. give a tag back (some link love) to the one who tagged you in your post 4. give a hat tip (HT) to Dan (I have no idea who Dan is, but hey, there ya go).

    This is gonna be a challenge for me, because I haven’t watched that many movies lately, and really, how do you go about choosing favorites? Simply by number of times watched? At least you’ll get 10 from me here that I really like. Maybe not the 10 greatest movies I’ve ever seen, but 10 that I’d be happy to sit down and watch again semi-regularly or would recommend to a friend. Oh, and off the top, I’m not gonna say Star Wars or Lord of the Rings, because they’re almost prerequisites for this kind of list, and it seems boring. So, in no particular order…

    1. The Princess Bride An oldie but goodie. Yes, I can quote far too much of it. But to leave it off the list would be, well, inconceivable. And how can you dislike a movie with Andre the Giant?

    2. Lost in Translation Bill Murray. So good. Scarlett Johannson. Amazing. Slow, light on plot, heavy on atmosphere. I loved it.

    3. That Thing You Do So I’m a sucker for a movie about musicians who briefly make the bigtime. Tom Hanks is such a fantastic character in this movie, and yeah, if I’m one of the guys in the film, hands down, I’m the drummer.

    4. Fiddler on the Roof I really need to include a musical on here somewhere, and Fiddler is a great musical. It’s been far too long since I’ve watched this one. But Topol captures Tevye so well, and the songs are classics.

    5. Once OK, so I’m gonna include a second musical on here, and it’s gonna be a film that I’ve only seen, well, once. Low-budget, first-time actors, but the story feels real in a way that very few films seem to manage. I need to buy this one.

    6. Apollo 13 Jeff mentioned this one in his list, but I’m gonna include it here, too. Sure, Tom Hanks is great in the starring role, but Ed Harris is the guy that makes the movie for me. And how can I not love a movie where the true heroes are nerdy engineers? Can you build a CO2 scrubber from this random assortment of parts?

    7. Heat Michael Mann at his best, and Pacino and DeNiro to boot. A big crime drama, spread across Southern California, with the atmosphere and expanse that Mann seems to do so well. Oh, and did I mention Pacino and DeNiro?

    8. The Matrix Can we just forget that this is supposedly the beginning of a movie trilogy? This movie works so well by itself - the cyberpunk genre, the stop-action camera work, the ridiculous action scenes… so much fun.

    9. The Secret Life of Walter Mitty Too many of the old song-and-dance movies were very weakly plotted, with just enough plot to string things together between musical numbers. Mitty isn’t one of those. Yes, it provides ample opportunity for Danny Kaye to mug for the camera, do some hilarious song-and-dance routines (how can you not love Anatole of Paris?), and generally cut up, but they actually belong as part of the plot. Lots of fun.

    10. L.A. Confidential It was harder than I thought coming up with a tenth film, but this one deserves a spot here. A gritty film noir filled with all the elements you could want - dirty cops, femme fatales, Hollywoord in its heyday. Add in Kevin Spacey, Russell Crowe, Guy Pearce, and James Cromwell, and you’ve got a great film.

    Now, then, who to tag? Rae. CanaDan. Bridget.

    ∞

    Christians and Sin in the Movies

    There’s been a good discussion going on over at The Rabbit Room regarding how Christians should deal with profanity and other sin portrayed in movies.

    It started with a thread where Andrew Peterson recommended the movie Once, but warned of “the F-bomb” being used 30 or so times. After that comment thread got interesting, he followed up with a post titled “He Said A Wordy Dird”, where he explored his thoughts on the use of strong language. 46 comments, and good discussion that thread. Finally, Ron Block chimed in with an excellent post summarizing his views on how we approach art.

    The discussion in the comment threads has been very good: respectful, thoughtful, and not without controversy. If you haven’t yet checked out the Rabbit Room, go take a look. The topics aren’t always this controversial, but the writing is good and the topics thoughtful.

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