Chris​Hubbs​.com

Normally I’d write up a whole 250-word review for a book I finished, but The Weapon by David Poyer just doesn’t inspire that sort of review. I’ve enjoyed Poyer’s other Dan Lenson novels but this one was really just okay. A middling, disjointed story at best. As big a fan as I was of Tom Clancy back in the 90’s, I should be the last to criticize authors for hanging on and writing a long series around a single character, but Poyer appears to be the next in a long line of authors that have burned out their series that way (see also: Tom Clancy, Dale Brown).

So, yeah, I read it, and was mildly entertained… but only mildly. It’s time for these authors to start writing some creative plots instead of just stringing us along for yet another novel featuring the same guy in similar situations. Bleh.

Normally when we think about musicians and “their music”, we think about the music that they write, perform, and record. But author Ben Ratliff (jazz critic for the New York Times) decided to ask a different question. What do these musicians listen to and find influential? What are they thinking and hearing as they listen to the music? So Ratliff met with a dozen or so noted jazz musicians, asked them what tracks they’d like to listen to, and then relates to us the experience and conversations of listening to the music with the musicians. The result is The Jazz Ear: Conversations Over Music. It turns out to be fascinating stuff.

Though I am a musician and fancy myself a fan (though not a hardcore aficionado) of jazz, it quickly became clear to me that the plane these guys think on is just incredibly high. It is fascinating in its own way, though, listening to serious jazz players talk about how they think about jazz. My favorite part of the book, though, was the reference list at the back, where Ratliff lists each recording that he listened to with each of the musicians. It has been a great input for my personal playlist… so much to explore.

If you’re a musician, like jazz, or just want to explore the minds of some great musicians, I’d recommend picking up The Jazz Ear. It’s a short read, but quite worth it.

[You can buy The Jazz Ear from Amazon.com.]

I’ve been a big fan of Orson Scott Card’s Ender series since I read it a few years ago. Ender’s Game is just brilliant storytelling, and Speaker for the Dead is equally good, perhaps even better themes and story woven through it. So when I saw Ender In Exile on the library shelf, it was a no-brainer to pick it up.

Ender In Exile is not a book you would want to pick up and read as a stand-alone story without having at least read Ender’s Game first. EIE takes place somewhere in between two of the final chapters of Ender’s Game, telling the story of the teenaged Ender Wiggin. Once he had defeated humanity’s mortal enemies and then had his reputation dragged through the mud in court martial, he then travels off to become the governor of a colony on another planet. A good bit of the story is told in the form of emails exchanged between Ender, his parents, his siblings Valentine and Peter, and Ender’s former military commander. Ender manipulates situations with seeming effortlessness, always nobly wanting the good and right thing.

EIE will be interesting to you if you’ve read and enjoyed the other books in the Ender series. If not, I’d probably stay away from it, and would recommend Ender’s Game instead as a good introduction to Card’s work. I think it’s time that OSC come up with a new story and series.

[You can purchase Ender’s Game and Ender In Exile from Amazon.com.]

Every culture has its quirks, but to really notice them and appreciate them you need to be able to look from the perspective of an outsider. When you can then write about those quirks with wit, humor, and insight, then you’re approaching what author Sarah Lyall has achieved with The Anglo Files. Lyall, a correspondent for the New York Times, was posted to Britain some ten years ago, married a Britisher, and now raises two children there in London whilst still writing for the Times.

In The Anglo Files we get Lyall’s thoughts on the oddities of British culture - there are chapters on drinking, hedgehogs, social classes and the nobility, cricket, and the propensity to apologize for everything. She’s not afraid to tell stories on herself, either. And those stories prove insightful; they’re not the clueless-American-rube-bumbles-around-Europe stories, they’re the urbane-American-married-to-a-Britisher-still-baffled-by-Europe stories, which are really more fun. I myself have never been to Britain, but have long been intrigued with our brethren across the pond, so I very much enjoyed Lyall’s insights into them.

Oh, and did I mention the humor? I was good-naturedly amused throughout the book, but one line in particular had me laughing out loud: she describes an inferior washing machine as having a spin cycle that took so long it should’ve been called a Ring Cycle. That’s worth at least a couple of chuckles, folks.

All in all, a fun book. Definitely worth the read.

[The Anglo Files is available at Amazon.com.]

I picked up The Philosopher’s Apprentice on a whim from the library. And what a whim. The flyleaf gave a thumbnail description of a philosophy doctoral student who takes a job becoming the tutor for a teenage girl who was in an accident and lost her sense of morality. OK, sounds interesting as far as that goes. But that’s just the beginning of the story.

The Philosopher’s Apprentice is really a story in three acts. Act One: doctoral student tutors teenager on remote Caribbean island. Finds out there is more to the island than he was led to believe, including two sisters of his student, a bunch of genetic engineering, and talking iguana. I know it sounds like a tripped-out dream, but it’s just hard to give a lot more detail without spoiling major points of the plot.

Act Two: philosophy tutor watches from a distance as his former student, suddenly fabulously wealthy, takes his teachings on morality to unbelievable ends.

Act Three: tutor and student end up together again and have to deal with the fallout from the rest of the world as it reacts to the student’s programs.

The Philosopher’s Apprentice is at times quite humorous, at times quite serious, and dances along the line between fiction and fantasy without quite ever deciding where to land. It was a fun read, provoking some interesting thoughts along the way. Worth picking up if you get the chance.

[You can buy The Philosopher’s Apprentice at Amazon.com - on sale cheap right now!]