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David Bentley Hart, from The Doors of the Sea

2 min read

A lovely passage from the conclusion of The Doors of the Sea, wherein David Bentley Hart addresses the how can a good God allow suffering? question:

[W]e Christians are not obliged (and perhaps not even allowed) to look upon the devastation of that day - to look, that is, upon the entire littoral rim of the Andaman Sea and Bay of Bengal and upper Indian Ocean strewn with tens of thousands of corpses, a third of them children - and to attempt to console ourselves or others with vacuous cant about the ultimate meaning or purpose residing in all that misery. Ours is, after all, a religion of salvation. Our faith is in a God who has come to rescue his creation from the absurdity of sin, the emptiness and waste of death, the forces - whether calculating malevolence or imbecile chance - that shatter living souls; and so we are permitted to hate these things with a perfect hatred. And we are not only permitted but required to believe that cosmic time as we know it, through all the immensity of its geological ages and historical epochs, is only a shadow of true time, and this world only a shadow of the fuller, richer, more substantial, more glorious creation that God intends; and to believe also that all of nature is a shattered mirror of divine beauty, still full of light, but riven by darkness… When, however, we learn in Christ the nature of our first estate, and the divine destiny to which we are called, we begin to see - more clearly the more we are able to look upon the world with the eye of charity - that there is in all the things of earth a hidden glory waiting to be revealed, more radiant than a million suns, more beautiful than the most generous imagination or most ardent desire can now conceive. Or, rather, it is a glory not entirely hidden: veiled, rather, but shining in and through and upon all things… At [disastrous] times, to see the goodness indwelling all creation requires a labor of vision that only a faith in Easter can sustain; but it is there, effulgent, unfading, innocent, but languishing in bondage to corruption, groaning in anticipation of a glory yet to be revealed, both a promise of the Kingdom yet to come and a portent of its beauty.

Originally published on by Chris Hubbs